Redwood has artistic value, and a large part of it is because it is beautifully carved. Those lifelike characters and animals are amazing! So what kind of carving is the real art? Foam Pump Bottle,Foam Bottles,Foam Bottles Bulk,Empty Foam Bottle,Plastic Foam Bottle Shenzhen Nanfang Shishang Cosmetic Utensil Co., Ltd. , https://www.sznfbrush.com
Look at the composition
The concept of composition is no stranger to everyone. This is the term of painting. It refers to the orientation of objects and the rhythm and relationship between them in a work. Placed on mahogany furniture, the composition of the carving is also an important criterion for measuring the value of a piece of furniture art.
Just as a painter creates a work, the designer of the furniture has to deal with the composition. The composition includes both the scale and the rhythm of the engraving. The good proportion should be coordinated, the look is comfortable, and the good rhythm should be dense and uncluttered, not chaotic.
Furniture, large to the top of the cabinet door, small to the back of the chair, the size of the pattern, the positional relationship is very important, the positional relationship is best in line with the "golden division" of the aesthetic law. The so-called "golden segmentation" is that the ratio of the larger part to the smaller part of the whole is equal to the ratio of the whole to the larger part. The ratio is 1:0.618 or 1.618:1. Such a golden ratio is the most beautiful.
If the proportion of the composition is too large or too small, there will be a sense of beauty. Too big and too full will give people a feeling of being airtight. Too small will be easy because of too much white space. It is no exception for full carvings, such as full carving. Moire, dragon, wishful, etc., the size of these patterns should be determined according to the size of the furniture. However, with the changes in the aesthetics of the times, the proportion of gold is not entirely applicable. In the case of Qing style furniture, there are some furniture that use the method of full carving in pursuit of the magnificent artistic effect.
The composition is good or bad. In addition to the proportion, the rhythm of the picture is also very important. Because it involves too much artistic expertise, it cannot be said here. It can only be said that it depends on the individual's aesthetic cultivation. It is necessary to observe the excellent works of art and try to figure out The magic of it can be.
Take a closer look at "points, lines, faces"
If the first step in judging the pros and cons of the engraving is to focus on the whole, then the second step is to observe the details in depth and analyze the engraving from three aspects: point, line and surface.
Observing the point of carving
On the basis of reasonable composition, compare the engraving differences at each point. For example, dragon scales of carved dragon furniture. A good dragon scale engraver should be neat and natural, and the knife marks are like flowing water. If this effect is not achieved, it is not a good engraving. Another example is the carving of characters, whether the characters' facial features are clear and exquisite, and whether the expressions are rich in rhyme.
There is a small trick here, the harder it is to engrave the smaller the size, so you can observe it from the most subtle.
Observing the line of carving
Observe whether the lines of the furniture are symmetrical. For example, the serpentine male line on the furniture, from the side, the curved convex line should be full, uniform and consistent. If the line is stiff, it is a failure; some furniture's positive line looks wavy, not thick. All are inseparable; the shape of each cross section of a good male line should be the same size and aesthetic.
At the same time, such as character costumes, plant branches and so on are also within the scope of the line. If the carving is fine, each of the beards of the character seems to be faintly discernible, and the level of sophistication is amazing.
Observe the face of the carving
The surface of the furniture carving, whether it is shovel or bottom, the bottom should be flat. When you purchase, you can observe whether there is any change in the light and shadow on the side, or touch the hand to feel whether the bottom is flat. In addition, observe the intersection of the bottom surface and the engraving, that is, whether the root of the engraving is clean and neat, and it is polished in place. Some of the furniture's roots are ambiguous, there is no ups and downs, and there is no fine grinding. It is impossible to distinguish the intersection of the bottom and the relief.
There is one thing that can't be ignored. Many glazed furniture's side façades are mixed or concave, which makes the whole shape look round and full, and has a three-dimensional sense. Some furniture adopts a flat and simple treatment method. On the look, the nature is slightly inferior.
Look at the charm
After the analysis of points, lines and surfaces, you can proceed to the next stage: see if the engraver has a charm.
Furniture that meets the first two criteria can basically reach the mid-range level, while the third step is the basis for judging whether a piece of furniture has art and collection value. If a piece of furniture has the above three points, it can be called a boutique.
The ultimate in engraving is in the charm, only live and flexible, in order to make a piece of furniture full of vitality. Still taking the dragon pattern as an example: the dragon pattern should be best with a strong hovering. Today, some of the dragon carvings on the furniture are only dragon-shaped and there is no dragon god. It is very dull and has no dragon charm. The vivid dragons and clouds should have a sense of rising, fresh and powerful, and lifelike.
Similarly, although some furniture looks at a person's expressions, costumes, etc., it is not inappropriate, but overall, it is found that many people's expressions and looks are very similar, just like a literary work, writing hundreds of characters, but each one If the same mold is carved out, there is a lack of vivid personality and charm. According to this kind of push, such as flowers, landscapes, and animal prints.
Mastering the above three steps, you can generally distinguish the advantages and disadvantages of furniture through engraving. If you are still worried, I will provide you with two more details for your reference:
Touch the invisible part of the furniture by hand to feel whether there is a burr stab, and the thorny hand proves that the grind is not fine. If not, it means that the grind is fine.
Observing the depth of the drawer and the thickness of the material, the depth is not enough or the material is thin, and the value of the furniture is also compromised.
Furniture is processed and carved. Buying furniture is not about buying wood. Even if the wood is rare, such as huanghuali and red sandalwood, if the production is poor, the finished furniture does not have aesthetic and collection value.